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| St Bonaventure Receiving the Banner of St Sepulchre from the Madonna, by Francesco Solimena (1710). The Cathedral of San Paolo in Aversa, Italy. Public domain. |
I offer this annotated presentation of St Bonaventure’s Psalter as a small gift to our gentle Queen and Mother in gratitude for her many graces and favours, praying for her continued help and protection for the author and his family.
This presentation of St Bonaventure’s Marian Psalms will include: an English translation based upon that of Sr Mary Emmanuel O.S.B. in the 1932 edition published by Herder; the Latin text as published in the Psalterium B. Virginis Mariæ of 1679; the text of the Douay-Rheims Psalms; with footnotes and occasional notes translated from Fillion’s Bible (1900 edition).
Psalm 28
2. Give strength to thy saints[2], O holy Mother: and thy blessing to those who praise and glorify thee.
3. Hear the groans of those who sigh to thee[3]: and despise not the prayers of those who invoke thy name[4].
4. Let thy hand be ready to help me: and thy ear inclined to my prayer.
5. Let the heavens and the earth bless thee: the sea and the world[5].
Glory be to the Father etc.
1. Afferte Dominae nostræ filli Dei : afferte Dominæ nostræ laudem et reverentiam.
2. Da virtutem sanctis tuis, Mater sancta : et benedictionem laudantibus, atque glorificantibus te.
3. Exaudi gemitus suspirantium ad te : et spernas vota invocantium noment tuum.
4. Sit manus tua ad succurrendum mihi parata : et auris tua intendens ad deprecationem meam.
5. Benedicant tibi cœli et terra : mare et orbis terrarum.
Gloria Patri, etc.
Footnotes
[1] The twofold invocation “afferte / bring to” echoes the threefold invocation in the Davidic Ps. XXVIII, 1-2.
[2] Cf. “Queen of all Saints, R. Pray for us.” From the Litany of Loreto (1150-1200).
[3] Cf. “Lord, all my desire is before thee, and my groaning is not hidden from thee:” Ps. XXXVII, 10.
[4] Cf. “O Mother of the Word Incarnate, despise not my petitions, but in thy mercy hear and answer me.” From the Memorare, attributed to St. Bernard of Clairvaux (1090-1153).
[5] Cf. “May the heavens and the earth, and the sea, and the fountains, and the rivers, and all thy creatures that are in them, bless thee.” Tobias (Tobit) viii. 7.
Davidic Psalm XXVIII
1 A psalm for David, at the finishing of the tabernacle. Bring to the Lord, O ye children of God: bring to the Lord the offspring of rams. 2 Bring to the Lord glory and honour: bring to the Lord glory to his name: adore ye the Lord in his holy court.
3 The voice of the Lord is upon the waters; the God of majesty hath thundered, The Lord is upon many waters. 4 The voice of the Lord is in power; the voice of the Lord in magnificence. 5 The voice of the Lord breaketh the cedars: yea, the Lord shall break the cedars of Libanus. 6 And shall reduce them to pieces, as a calf of Libanus, and as the beloved son of unicorns. 7 The voice of the Lord divideth the flame of fire: 8 The voice of the Lord shaketh the desert: and the Lord shall shake the desert of Cades. 9 The voice of the Lord prepareth the stags: and he will discover the thick woods: and in his temple all shall speak his glory.
10 The Lord maketh the flood to dwell: and the Lord shall sit king for ever. The Lord will give strength to his people: the Lord will bless his people with peace.
Notes
God in the storm
In the Hebrew, this Psalm is simply entitled: a Psalm by David. Following the Septuagint, the Vulgate added the words “at the finishing of the tabernacle.” These indicated its liturgical function : it was sung, from at least the time of the second Temple, on the second day of the feast of Tabernacles, upon finally leaving the shelters made of branches which had been used throughout the Octave. Cf. Lev. xxiii, 36. The Talmud places it amongst the prayers of Pentecost, by reason of its thundering which recalled for the Jews the thunder and lightning in Sinai, when the Lord solemnly promulgated his theocratic law. Cf. Exod. xix, 16 et seq.
The power and Majesty of God as Creator, as shown forth in the violent storms of Palestine: there you have the subject of this canticle, which most commentators agree is one of the most beautiful in the whole Psalter. The serenity of the heavens in the midst of that which is causing turbulence in nature is wondrously depicted. All that is grave and terrible in a storm is no less well described than its extraordinary swiftness. We see vivid poetic colouring and a most profound religious sentiment. The poet’s art is apparent throughout : whether in the name of God which is employed four times in the prelude and four times in the conclusion; or in the words “the voice of the Lord” repeated seven times in succession in the course of the Psalm; or in the progress of the storm.
Structure: a short prelude, verses 1b-2; the body of the poem, the description of the storm in its various phases, verses 3-9; the conclusion, verse 10-11.
The short prelude: The poet invites the Angels to render glory unto Almighty God. From the outset there is a grand solemnity in the words “Bring to the Lord” (in Hebrew: “give”) which are repeated in succession. There is a sense that an altogether unusual phenomenon is approaching. According to the Septuagint and the Vulgate, the “children of God” to whom this invitation is addressed can only be men (and in particular, according to the comments of ancient interpreters, powerful and influential men; cf., Ps. LXXXI, 1, 6), since they are being invited to offer bloody sacrifices to God. But the words “bring to the Lord the offspring of rams” are totally absent in the Hebrew and seem to have been inserted through a copyist’s error. The expression benè ‘Élim (children of God) is surely the equivalent of benè ‘Elohim (sons of God) in Job i, 6. The reference here is thus to the Angels, as in Ps. LXXXVIII, 7. The poet is contemplating them as they surround God’s throne in heaven, where they form the court, and he is exhorting them to render a special homage to their Master.
“glory and honour:” Two of the attributes of God which are maid manifest above all others in a storm.
The body of the Psalm: a description of the storm in its various phases. Verses 3-9. A dramatic scene which takes place entirely over the earth. Fifteen lines grouped in three equal strophes. “The storm bursts with fury to the north of Palestine, over Mt Lebanon. The cedars for which this land is famous are struck and their debris tumble down the mountain like a young bull. The mountain itself is made to quake, shaken to its foundations. The storm makes its way over the land of Israel, with flashes of lightning and reaches the desert of Cades, where it provokes frightened deer into calving. Man has fled the storm and he is not mentioned in the tableau, being struck dumb with terror.” (Man. bibl., vol. II, n. 701.)
3-4: “the voice of the Lord”: a poetic name by which the Hebrews frequently referred to thunder. In their imagination so rich with thoughts of faith, they considered its majestic and terrible tones represented the voice of the Lord God Himself.
6 : “And shall reduce them to pieces”: the Hebrew says literally that the storm makes them leap like a calf.
“the beloved son of unicorns”: this forms a striking contrast. Whilst the storm shakes or breaks everything, the Lord’s beloved people, Israel, remain calm like a young rhinoceros (“unicorn”), fearing nothing. Such is what we learn from the Septuagint and the Vulgate, but the Hebrew text diverges significantly: the storm makes Mts Lebanon and Siriôn leap like the offspring of the aurochs (Hebr. re’em), which the Vulgate/D-Rheims translate as unicorn.
8: “shaketh the desert”: literally, it makes the desert dance. This is an allusion to the sand which the storm whips into the air and forms into clouds.
9: “prepareth the stags”: the Hebrew explains this obscure expression : the voice of the Lord brings on the calving of the does. Frightened by the thunder, they deliver their fawns prematurely, a frequently observed phenomenon.
Conclusion of the Psalm: verses 10-11.
10: “The Lord maketh the flood to dwell”: this is to be read with “Himself” understood or as “He dwelleth in the flood.” The Hebrew is clearer: the Lord hath seated Himself (on His sovereign throne) for the flood. This may be understood of the flood strictly speaking, or also of the torrential rain that normally accompanies storms in the Orient.
11. “the Lord will bless his people with peace”: a beautiful conclusion, like a rainbow. The beginning of the poem shows us a clear sky and God’s throne amidst the harmonious choirs of Angels; the end shows us on earth, in the midst of the thundering of the Lord’s anger which causes everything to shake, His triumphant people showered with blessings of peace. Glory in the highest forms the beginning, and peace on earth is the ending.
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SUB tuum præsidium confugimus, Sancta Dei Genitrix. Nostras deprecationes ne despicias in necessitatibus, sed a periculis cunctis libera nos semper, Virgo gloriosa et benedicta. Amen.
The Virgin of Tenderness. >12th century.
Totus tuus ego sum
Et omnia mea tua sunt;
Tecum semper tutus sum:
Ad Jesum per Mariam.
He that hearkeneth to me, shall not be confounded: and they that work by me shall not sin. They that explain me shall have life everlasting. Ecclesiasticus (Sirach) xxiv. 30-31.30-31.





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